I shut my eyes and all the world drops dead;
I lift my lids and all is born again.
(I think I made you up inside my head.)
The stars go waltzing out in blue and red,
And arbitrary blackness gallops in:
I shut my eyes and all the world drops dead.
I dreamed that you bewitched me into bed
And sung me moon-struck, kissed me quite insane.
(I think I made you up inside my head.)
God topples from the sky, hell's fires fade:
Exit seraphim and Satan's men:
I shut my eyes and all the world drops dead.
I fancied you'd return the way you said,
But I grow old and I forget your name.
(I think I made you up inside my head.)
I should have loved a thunderbird instead;
At least when spring comes they roar back again.
I shut my eyes and all the world drops dead.
(I think I made you up inside my head.)
Sunday, 23 August 2009
Emily Dickinson - God is indeed a jealous God
Emily Dickinson
God is indeed a jealous God --
He cannot bear to see
That we had rather not with Him
But with each other play.
God is indeed a jealous God --
He cannot bear to see
That we had rather not with Him
But with each other play.
Emily Dickinson - To Whom the Mornings stand for Nights,
Emily Dickinson
To Whom the Mornings stand for Nights,
What must the Midnights -- be!
To Whom the Mornings stand for Nights,
What must the Midnights -- be!
Emily Dickinson - Much Madness is divinest Sense
Emily Dickinson
Much Madness is divinest Sense --
To a discerning Eye --
Much Sense -- the starkest Madness --
'Tis the Majority
In this, as All, prevail --
Assent -- and you are sane --
Demur -- you're straightway dangerous --
And handled with a Chain --
Much Madness is divinest Sense --
To a discerning Eye --
Much Sense -- the starkest Madness --
'Tis the Majority
In this, as All, prevail --
Assent -- and you are sane --
Demur -- you're straightway dangerous --
And handled with a Chain --
Emily Dickinson - Before I got my eye put out
Emily Dickinson
Before I got my eye put out
I liked as well to see—
As other Creatures, that have Eyes
And know no other way—
But were it told to me—Today—
That I might have the sky
For mine—I tell you that my Heart
Would split, for size of me—
The Meadows—mine—
The Mountains—mine—
All Forests—Stintless Stars—
As much of Noon as I could take
Between my finite eyes—
The Motions of the Dipping Birds—
The Morning's Amber Road—
For mine—to look at when I liked—
The News would strike me dead—
So safer—guess—with just my soul
Upon the Window pane—
Where other Creatures put their eyes—
Incautious—of the Sun—
Before I got my eye put out
I liked as well to see—
As other Creatures, that have Eyes
And know no other way—
But were it told to me—Today—
That I might have the sky
For mine—I tell you that my Heart
Would split, for size of me—
The Meadows—mine—
The Mountains—mine—
All Forests—Stintless Stars—
As much of Noon as I could take
Between my finite eyes—
The Motions of the Dipping Birds—
The Morning's Amber Road—
For mine—to look at when I liked—
The News would strike me dead—
So safer—guess—with just my soul
Upon the Window pane—
Where other Creatures put their eyes—
Incautious—of the Sun—
Emily Dickinson - We outgrow love, like other things
Emily Dickinson
We outgrow love, like other things
And put it in the Drawer—
Till it an Antique fashion shows—
Like Costumes Grandsires wore.
We outgrow love, like other things
And put it in the Drawer—
Till it an Antique fashion shows—
Like Costumes Grandsires wore.
Emily Dickinson - Because I could not stop for Death
Emily Dickinson
Because I could not stop for Death--
He kindly stopped for me--
The Carriage held but just Ourselves--
And Immortality.
We slowly drove--He knew no haste
And I had put away
My labor and my leisure too,
For His Civility--
We passed the School, where Children strove
At Recess--in the Ring--
We passed the Fields of Gazing Grain--
We passed the Setting Sun--
Or rather--He passed us--
The Dews drew quivering and chill--
For only Gossamer, my Gown--
My Tippet--only Tulle--
We paused before a House that seemed
A Swelling of the Ground--
The Roof was scarcely visible--
The Cornice--in the Ground--
Since then--'tis Centuries--and yet
Feels shorter than the Day
I first surmised the Horses' Heads
Were toward Eternity--
Because I could not stop for Death--
He kindly stopped for me--
The Carriage held but just Ourselves--
And Immortality.
We slowly drove--He knew no haste
And I had put away
My labor and my leisure too,
For His Civility--
We passed the School, where Children strove
At Recess--in the Ring--
We passed the Fields of Gazing Grain--
We passed the Setting Sun--
Or rather--He passed us--
The Dews drew quivering and chill--
For only Gossamer, my Gown--
My Tippet--only Tulle--
We paused before a House that seemed
A Swelling of the Ground--
The Roof was scarcely visible--
The Cornice--in the Ground--
Since then--'tis Centuries--and yet
Feels shorter than the Day
I first surmised the Horses' Heads
Were toward Eternity--
Emily Dickinson - I've seen a Dying Eye
Emily Dickinson
I've seen a Dying Eye
Run round and round a Room—
In search of Something—as it seemed—
Then Cloudier become—
And then—obscure with Fog—
And then—be soldered down
Without disclosing what it be
'Twere blessed to have seen—
I've seen a Dying Eye
Run round and round a Room—
In search of Something—as it seemed—
Then Cloudier become—
And then—obscure with Fog—
And then—be soldered down
Without disclosing what it be
'Twere blessed to have seen—
Emily Dickinson - Good Morning—Midnight
Emily Dickinson
Good Morning—Midnight—
I'm coming Home—
Day—got tired of Me—
How could I—of Him?
Sunshine was a sweet place—
I liked to stay—
But Morn—didn't want me—now—
So—Goodnight—Day!
I can look—can't I—
When the East is Red?
The Hills—have a way—then—
That puts the Heart—abroad—
You—are not so fair—Midnight—
I chose—Day—
But—please take a little Girl—
He turned away!
Good Morning—Midnight—
I'm coming Home—
Day—got tired of Me—
How could I—of Him?
Sunshine was a sweet place—
I liked to stay—
But Morn—didn't want me—now—
So—Goodnight—Day!
I can look—can't I—
When the East is Red?
The Hills—have a way—then—
That puts the Heart—abroad—
You—are not so fair—Midnight—
I chose—Day—
But—please take a little Girl—
He turned away!
Emily Dickinson - We Grow Accustomed to the Dark
Emily Dickinson
We grow accustomed to the Dark --
When light is put away --
As when the Neighbor holds the Lamp
To witness her Goodbye --
A Moment -- We uncertain step
For newness of the night --
Then -- fit our Vision to the Dark --
And meet the Road -- erect --
And so of larger -- Darkness --
Those Evenings of the Brain --
When not a Moon disclose a sign --
Or Star -- come out -- within --
The Bravest -- grope a little --
And sometimes hit a Tree
Directly in the Forehead --
But as they learn to see --
Either the Darkness alters --
Or something in the sight
Adjusts itself to Midnight --
And Life steps almost straight.
We grow accustomed to the Dark --
When light is put away --
As when the Neighbor holds the Lamp
To witness her Goodbye --
A Moment -- We uncertain step
For newness of the night --
Then -- fit our Vision to the Dark --
And meet the Road -- erect --
And so of larger -- Darkness --
Those Evenings of the Brain --
When not a Moon disclose a sign --
Or Star -- come out -- within --
The Bravest -- grope a little --
And sometimes hit a Tree
Directly in the Forehead --
But as they learn to see --
Either the Darkness alters --
Or something in the sight
Adjusts itself to Midnight --
And Life steps almost straight.
Emily Dickinson - The difference between Despair
Emily Dickinson
The difference between Despair
And Fear—is like the One
Between the instant of a Wreck
And when the Wreck has been—
The Mind is smooth—no Motion—
Contented as the Eye
Upon the Forehead of a Bust—
That knows—it cannot see—
The difference between Despair
And Fear—is like the One
Between the instant of a Wreck
And when the Wreck has been—
The Mind is smooth—no Motion—
Contented as the Eye
Upon the Forehead of a Bust—
That knows—it cannot see—
Emily Dickinson - The Doomed—regard the Sunrise
Emily Dickinson
The Doomed—regard the Sunrise
With different Delight—
Because—when next it burns abroad
They doubt to witness it—
The Man—to die—tomorrow—
Harks for the Meadow Bird—
Because its Music stirs the Axe
That clamors for his head—
Joyful—to whom the Sunrise
Precedes Enamored—Day—
Joyful—for whom the Meadow Bird
Has ought but Elegy!
The Doomed—regard the Sunrise
With different Delight—
Because—when next it burns abroad
They doubt to witness it—
The Man—to die—tomorrow—
Harks for the Meadow Bird—
Because its Music stirs the Axe
That clamors for his head—
Joyful—to whom the Sunrise
Precedes Enamored—Day—
Joyful—for whom the Meadow Bird
Has ought but Elegy!
Emily Dickinson - I'm nobody! Who are you?
Emily Dickinson
I'm nobody! Who are you?
Are you nobody, too?
Then there's a pair of us -- don't tell!
They'd advertise -- you know!
How dreary to be somebody!
How public like a frog
To tell one's name the livelong day
To an admiring bog!
I'm nobody! Who are you?
Are you nobody, too?
Then there's a pair of us -- don't tell!
They'd advertise -- you know!
How dreary to be somebody!
How public like a frog
To tell one's name the livelong day
To an admiring bog!
Emily Dickinson - "Hope" is the thing with feathers
Emily Dickinson
"Hope" is the thing with feathers—
That perches in the soul—
And sings the tune without the words—
And never stops—at all—
And sweetest—in the Gale—is heard—
And sore must be the storm—
That could abash the little Bird
That kept so many warm—
I've heard it in the chillest land—
And on the strangest Sea—
Yet, never, in Extremity,
It asked a crumb—of Me.
"Hope" is the thing with feathers—
That perches in the soul—
And sings the tune without the words—
And never stops—at all—
And sweetest—in the Gale—is heard—
And sore must be the storm—
That could abash the little Bird
That kept so many warm—
I've heard it in the chillest land—
And on the strangest Sea—
Yet, never, in Extremity,
It asked a crumb—of Me.
Emily Dickinson - Wild Nights—Wild Nights!
Emily Dickinson
Wild Nights—Wild Nights!
Were I with thee
Wild Nights should be
Our luxury!
Futile—the Winds—
To a Heart in port—
Done with the Compass—
Done with the Chart!
Rowing in Eden—
Ah, the Sea!
Might I but moor—Tonight—
In Thee!
Wild Nights—Wild Nights!
Were I with thee
Wild Nights should be
Our luxury!
Futile—the Winds—
To a Heart in port—
Done with the Compass—
Done with the Chart!
Rowing in Eden—
Ah, the Sea!
Might I but moor—Tonight—
In Thee!
Emily Dickinson - A Wounded Deer—leaps highest
Emily Dickinson
A Wounded Deer—leaps highest—
I've heard the Hunter tell—
'Tis but the Ecstasy of death—
And then the Brake is still!
The Smitten Rock that gushes!
The trampled Steel that springs!
A Cheek is always redder
Just where the Hectic stings!
Mirth is the Mail of Anguish
In which it Cautious Arm,
Lest anybody spy the blood
And "you're hurt" exclaim!
A Wounded Deer—leaps highest—
I've heard the Hunter tell—
'Tis but the Ecstasy of death—
And then the Brake is still!
The Smitten Rock that gushes!
The trampled Steel that springs!
A Cheek is always redder
Just where the Hectic stings!
Mirth is the Mail of Anguish
In which it Cautious Arm,
Lest anybody spy the blood
And "you're hurt" exclaim!
Emily Dickinson - You love me—you are sure
Emily Dickinson
You love me—you are sure—
I shall not fear mistake—
I shall not cheated wake—
Some grinning morn—
To find the Sunrise left—
And Orchards—unbereft—
And Dollie—gone!
I need not start—you're sure—
That night will never be—
When frightened—home to Thee I run—
To find the windows dark—
And no more Dollie—mark—
Quite none?
Be sure you're sure—you know—
I'll bear it better now—
If you'll just tell me so—
Than when—a little dull Balm grown—
Over this pain of mine—
You sting—again!
You love me—you are sure—
I shall not fear mistake—
I shall not cheated wake—
Some grinning morn—
To find the Sunrise left—
And Orchards—unbereft—
And Dollie—gone!
I need not start—you're sure—
That night will never be—
When frightened—home to Thee I run—
To find the windows dark—
And no more Dollie—mark—
Quite none?
Be sure you're sure—you know—
I'll bear it better now—
If you'll just tell me so—
Than when—a little dull Balm grown—
Over this pain of mine—
You sting—again!
Emily Dickinson - Water, is taught by thirst
Water, is taught by thirst.
Land—by the Oceans passed.
Transport—by throe—
Peace—by its battles told—
Love, by Memorial Mold—
Birds, by the Snow.
Emily Dickinson, Success is Counted Sweetest
Success is counted sweetest
By those who ne'er succeed.
To comprehend a nectar
Requires sorest need.
Not one of all the purple Host
Who took the Flag today
Can tell the definition
So clear of Victory
As he defeated--dying--
On whose forbidden ear
The distant strains of triumph
Burst agonized and clear!
Saturday, 22 August 2009
ee cummings, anyone lived in a pretty how town
anyone lived in a pretty how town
(with up so floating many bells down)
spring summer autumn winter
he sang his didn’t he danced his did.
Women and men(both little and small)
cared for anyone not at all
they sowed their isn’t they reaped their same
sun moon stars rain
children guessed(but only a few
and down they forgot as up they grew
autumn winter spring summer)
that noone loved him more by more
when by now and tree by leaf
she laughed his joy she cried his grief
bird by snow and stir by still
anyone’s any was all to her
someones married their everyones
laughed their cryings and did their dance
(sleep wake hope and then)they
said their nevers they slept their dream
stars rain sun moon
(and only the snow can begin to explain
how children are apt to forget to remember
with up so floating many bells down)
one day anyone died i guess
(and noone stooped to kiss his face)
busy folk buried them side by side
little by little and was by was
all by all and deep by deep
and more by more they dream their sleep
noone and anyone earth by april
wish by spirit and if by yes.
Women and men(both dong and ding)
summer autumn winter spring
reaped their sowing and went their came
sun moon stars rain
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